Tuesday, August 20, 2019

Christoph Benjamin Schulz (editor), Die Geschichte(n) Gefalteter Bücher: Leporellos, Livres-Accordion und Folded Panoramas in Literature und Bildender Kunst. [The Histories of Folded Books: Leporellos, Accordion Books and Folded Parnoramas in Literature and Fine Art], Georg Olms Verlag: Hildesheim, Zurich, New York, 2019



It was an exciting day when this wonderful book about artists' accordion books dropped into my mailbox. Coming in at just under 600 pages the book is comprised of 19 texts by eighteen writers, with thirteen chapters in German, four in English and two in French. This book is exactly what this neglected area of artists' book publishing has needed for many years, and it succeeds admirably in sketching out a history of this book form ranging from the 14th century to the contemporary moment.

Here is the publisher's description of the book:

The contributions of this first international overview of the phenomenon of folded books cover 600 years of Occidental book history: It ranges from medieval books and harlequinades of the early modern period, through foldable pages in bound books, to Leporellos, Folded Panoramas and Livres Accordéon and experienced a veritable heyday in the 19th century. 

Folded formats were used for calendars and chronologies, for panoramas and overviews, as well as for parade and procession prints, as well as for typographical paper image galleries and illustrated children's books. In the 20th century, folded books experienced an international renaissance both in experimental literature and in the context of the artist's book.

The material expansion of the book body is far more than a surprising effect: it allows for other forms of staging content than are possible on the pages of bound books - and, accordingly, other reading experiences. Books that can be unfolded are transformed in the eyes of their beholders. When folded, a leporello can be leafed through and viewed sequentially, but it can also be unfolded selectively or unfolded in its entirety - and dissolve in that sense.

The haptic dimensions of appropriation and the semantic potentials of (de) folding processes play a central role in this process. As an aesthetic strategy, folding is multifaceted and complex, especially in the context of history of books. And so the richly illustrated stories of folded books collected here raise a hitherto undiscovered treasure of book history. 

Christopher Schulz, the editor, introduces the book with a fascinating chapter on the early history of the accordion fold through different time periods, and within diverse literary contexts. I only wish my German was up to the task of translating this very important historical text! All the other texts explore accordions from both the world of visual arts as well as the literary arts, and there's a nice range and variety to the choices. I'm also happy to have a text by myself included in this selection. Schulz should be congratulated on bringing into the world a book that explores so thoroughly, this totally unique book form and medium.

I'm listing below the chapter titles and language of all nineteen sections of the book... apologies in advance for any faulty Google translations!


Chapter Headings and language

Christoph Benjamin Schulz (German)
The stories of folded books

Sebastian Schmideler (German)
Leporellos in the work of the Munich book artist Lothar Meggendorfer

Ulrich Ernst (German)
Dynamic typography - orphist painting - bruitist music. Blaise Cendrars' and Sonia Delauney's avant-garde simultaneous book La Prose du Transsibériean

Susanne Gramatzki  (German)
Poetry in dialogue: Paul Éluard's poem Liberté as a Leporello

Viola Hildebrand-Schat (German)
Conceptual and functional varieties of leporellos in the context of Russian bookart.

Anne Moeglin-Delcroix (French)
Three artists' points of view on the leporello: Peter Downsbrough, Bernard Villers, Hamish Fulton

Anne Thurmann-Jajes (German)
Between artistic documentation and conceptual penetration - leporellos by Isidoro Valcårcel Medina and Timm Ulrichs

Stephen Bann (English)
Ian Hamilton Finlay's folding poems and concertinas

Thomas Hvid Kromann (German)
Foldable flats with enigmatic signs: Danish avant-garde leporellos since the 1960s

Klaus Ottmann (English)
Objects of seduction: James Lee Byars's scrolls and accordion-folded performative paper sculptures

Carol Jana Ribi (German)
Warja Lavater's folded stories. Work genesis and aesthetic impact

Monika Schmitz-Emans (German)
Leporellos in the work of Horst Janssen

Klaus Meyer-Minnemann (German)
Octavio Paz: Blanco - an accordion poem

Christoph Benhjamin Schulz (German)
Folded texts and leporellos in avant-garde literature and experimental poetry

Katarzyna Bazarnik (English)
A stroll through Polish leporellos: some 'Liberatic' and other accordion-folded works

Christianne Dahms (German)
Leporellos as visual staging of literary texts: Baudelaire, Rilke, Stein, Hofmannsthal

Jean Fremon (French)
The accordion books of the artist/poet Etel Adnan

Stephen Perkins (English)
Accordions at the border: Codex Espangliensis (2014), Migrant (2014) and Detained (2011)

Melanie Unseld (German)
Conducting applause: or Laetitia Devernay's attempt at leporello as score





Wednesday, July 10, 2019

6dreams, Valencia, Spain

This is a really smart ongoing series of accordions, combining both a sharp conceptual framework, matched with a fresh formal design and presentation.

At the present time there are approximately 38 accordions in this "6dreams" series, and the underlying structure and theme of the individual accordions is so simple and beautifully complete. Individual accordions are designed by different illustrators, and they are based on 6 dreams as described by children between the ages of 8-10 years, most of them from Mexico and Spain, and presented in both Spanish and English.

The format and size is the same for all of these 5 page double-sided accordions: individual pages 8.25" (h) x 7.75" (w), and when fully open they are 38.75".

For further information about this innovative project go to: https://elmonstruodecoloresnotieneboca.wordpress.com/

#24
Title: Lie Die
Dreamer: Fitnat, Israel
Illustrator: Roni Fahima, Israel
Date: September, 2012












#25
Title: The Perfect Sleepwalker
Dreamers: Boys in Valencia, Spain
Illustrator: Matthew Houston
Date: 2013












#26
Title: Inside My Hair
Dreamers: Children in Olivia, Valencia, Spain
Illustrator: Thomas Wellmann
Date: 2013











#33
Title: Wild Dogs
Dreamers: Children from Oaxaca, Mexico
Illustrator: Lukas Verstraete
Date: 2016












#35
Title: Me Against The World
Dreamers: Children from Godella, Spain
Illustrator: Wren McDonald
Date: 2016











#38
Title: A Real Flower
Dreamer: Carmen, Coruna, Galicia, Spain
Illustrator: Kati Szilagyi
Date: 2017