3 Fois Par Jour, 6 accordions, 2017-2022, France

I was recently online looking at the new arrivals at Printed Matter, and the accordions below immediately caught my eye. All the books are from the French collective 3 Fois Par Jour. This is how they describe themselves on their website:

 "3 FOIS PAR JOUR is a collective and a micro-publishing composed of: Idir Davaine, Clement Vuiliier, Sebastien Desplat and Christophe Gomes. 3 Fois Par Jour was founded with Aurelien Cantou in 2010, and was enriched for a time by the presence of Jeremie Fischer. For any information on our productions, write to us at: contact.3foisjarjour@gmail.com."

Also check out their extensive publishing activities on their website: ACTUALITÉS.

I'm going to let the works speak for themselves, and as you'll see they cover a lot of ground in terms of technique and subject matter, but they're all really smartly published and they feel comfortable in one's hands. Each of them reveals a powerful individual aesthetic, coupled with a high level of care in their design and printing.

The first three are the traditional accordion format, while the latter three are modified accordions in which the whole sheet is folded 8 times, then folded in half, and finally a cut is made down the center for 6 pages, and then folded into the traditional accordion format. This type of folding technique is known as an Eight-Section Centre Cut. I've also included photos of each of these 3 works unfolded.

Click on images for bigger pictures!

Measurements 

The first set of three accordions: 14 single sided pages, individual 5.25" x 3.5", and when fully open 4ft 1".  

The second set of three: 8 double sided pages, individual 2.75" x 8.25" and when fully opened 1ft 10".

Roxane Lumeret, La Veuve et L'Orphelinat 

(The Widow and the Orphanage), 2022

Geoffroy Pithon, COSME, 2022

Lale Westvind, Flesh Movement, 2022

Idir Davaine, Fantomus, 2017

The accordion unfolded, revealing the cuts down the middle of the 

printed sheet (see the following 2 works as well)

Yann Kebbi, P.O.V., 2017

Clement Vuillier, L'Oracle de Delft, 2017

R. Clarke-Davis, Six Accordions, 2022

Over the last couple of months I've been the recipient of a cool new batch of accordions from R. Clarke-Davis. What's interesting to me about these accordions is that they're back-to-the-basics accordions. It's refreshing for me to see these with their lush colors and subtle sequencing. R. Clarke-Davis and I have recently been in correspondence regarding the nature of the accordion, and the titles for four of these works were words he had added to the front of the envelopes in which he mailed these individual accordions. So, I see these works as a part of our larger dialogue about accordions, and the titles would seem to confirm this also.

You can find other works by R. Clarke-Davis in this blog if you search!

All are the same dimensions: 3 double-sided pages, individually 3.5" x 5.5" and when unfolded 1ft 4.5".

Untitled, 2022

Untitled, 2022

a concerteeny?, 2022

a concertiny?, 2022

a laprellino?, 2022

a accordionette?, 2022

Billy Ocallaghan, Galileo's drawings of our Sun's spots (1612) & Our Sun's Spots (401 years after Galileo), improper printing, Anchor Bay, 2021

Two fascinating 'cascading' accordions that take Galileo's drawings of the Sun's spots over the course of the year 1612 as their subject matter. Both accordions are accompanied with an information sheet about the work, with further detailed information on how they were published, and quite uniquely, suggestions on how to handle them, as per below:

"this cascading accordion will animate when played and physically animate our Sun's rotation. first, imagine your two hands resting side-by-side & holding a small book open across both hands. the white end pages, one in each hand, are the handles - squeeze hold of the outside edges or grab hold if needed. next, imagine your hands are on a vertical pulley, and will only move up and down but not side-to-side. understand that moving your hands apart horizontally will end in collapse. which is no big deal, part of getting started, easily remedied. somewhat like playing a slinky crossed with a flipbook."

For each of the two books featured here i'm going to reproduce the introductory texts that accompany each accordion, as they both give the fullest expression as to what Ocallaghan is trying to do with these unique works.  Both accordions feature 35 drawings, across 70 single-sided pages, measuring 6 5/8" x 1 7/8", and when fully opened 10.75 feet.

note: I have another of Ocallaghan's accordions titled Lucky (2017) on this blog at: accordion publications: Billy Ocallaghan, Lucky, improper printing, 2017, ed. open

Galileo's drawings of our Sun's spots (1612), 2021

Galileo Galilei (1564-1642) drew our Sun's spots at about the same time each day over the course of 37 days in June and July of 1612 (skipping two days and yielding 35 drawings). He could not look directly at our Sun without significant damage to this eyes. His solution was to use the latest technology - a telescope - to project an image of the Sun onto a piece of prepared paper. Galileo drew a circle with a compass and positioned the paper so that the Sun aligned with the circle, allowing him to draw in the sunspots from a consistent perspective each day. A casual review of these drawings makes evident that our Sun rotates, and at a much slower rate than the Earth's 24-hour cycle. 

back cover

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Our Sun's Spots (401 years after Galileo), 2021

Galileo Galilei drew our Sun's spots, at about the same time each day over the course of 37 days in June and July 1612 (skipping two days and yielding 35 drawings). a casual review of these drawings makes evident that our Sun rotates, and at a much slower rate than Earth's 24-hour cycle. NASA launched the Solar Dynamics Observatory (SDO) spacecraft to geosynchronous orbit (around Earth) in 2010. Atmospheric Imaging Assembly (AIA), onboard SDO, photographs our Sun every 15 minutes (24/7/365) using four multi-wavelength telescopic cameras (NASA posts images at SDO | Solar Dynamics Observatory

I selected 35 NASA photos of our sun (SDO/AIA 171), one per day around noon GMT, from June and July 2013, each image corresponding in date (+401 years) to one of Galileo's drawings; I inverted these images (making the sunspots black, like in Galileo's drawings); and I made 35 drawings of our Sun's spots (401 years after Galileo) based on these images. this cascading accordion presents 35 drawings, side-by-side, in sequence, across 70 pages.

back cover