Monday, February 27, 2023

Anouck Boisrobert & Louis Rigaud, in the forest, Tate, London, 2011/2020 and The Acrobat Family, Little Gestalten, Berlin, 2019

in the forest, 2011/2020

Even though this blog is concerned with accordions only, every now and then in my researches I come across other folded books that are just too interesting not to post about, and these two wonderful pop-up books by the duo Anouck Boisrobert and Louis Rigaud fit that bill.  

Both Boisrobert and Rigaud were born in Paris in 1985, and are graduates of the Decorative Arts School in Strasbourg. Since their first pop-up book collaboration Popville (2011), they've created at least four others including the two covered here.

in the forest tackles the issue of deforestation and it dramatically illustrates how this takes place, and then shows the subsequent process of reforestation. One unique feature of this book is that there is a sleeping sloth hanging out in the forest in each two page spread, and readers are invited to try and find it! This is a beautifully constructed pop-up accompanied with a powerful educational story for younger audiences.  12" high, and 6" wide, with 12 pages. [note: for better viewing click on images]

The second book in this post, and the most recent is The Acrobat Family (2019), and it comes in a triangular format which works so well with the verticality of the acrobat's art. Once again the construction is exquisite as this family of acrobats is introduced to the reader, and as they climb higher and higher, only to be bested by the cat at the top, before the great fall!  16" high, 6.5" at the base with 16 pages.






guess who's sleeping in the last tree left...

reforestation


back cover

___________________________________________________________

The Acrobat Family, 2019









Ginger, the world's strongest cat demonstrating his prowess

detail

back cover



 

Sunday, February 12, 2023

Stephen Perkins, Mining the Archive: Subspace Works and Artists' Accordion Books, Watrous Gallery, Madison, Feb. 10 - April 9, 2023


Back: Sophie Smallhorn, A Book of Postcards, Circle Press, London, 1999, ed. 1000 
Front: Richard Long, A Walk Past Standing Stones, Coracle Press for Anthony d'Offay, 1980

the installation begins

I'm having a one-person show at this cool downtown Madison art gallery. One half of the show consists of 5 exhibits I've curated for my home-based gallery Subspace, and re-installed here in the Watrous gallery, with two of them being shown for the first time. For more about Subspace see: subspace gallery

The other half of the gallery is taken up with an assortment of 29 artists' accordions, all of which I have reviewed in this blog. This exhibition was cancelled for a couple of years due to COVID, so I'm really happy to see it installed with an opening reception on Friday, Feb., 17, 6:30-8:00pm with a talk by me at 7:00pm. Thanks to the Watrous staff for such a smooth installation!


Girls, Girls, Girls: all woman show, Subspace, Madison, 2017/2023

Anne Perkins: Needlepoints (2019-2022), premiering at the Watrous Gallery, 2023 [works created during the COVID lockdown by my 97 year old mother]

examples of Anne Perkins' needlepoints

Bodyworks: artists working with the body, Subspace, 2018/2023

Ian Hamilton Finlay: Printworks from Wild Hawthorn Press, Subspace, 2020/2023

101 Artists' Postcardspremiering at the Watrous Gallery, 2023










Simon Cutts, pli selon pli, Coracle Press, Tipperary, Ireland, 2014, ed. 2

Top: Anish Kapoor, Sketchbook, Editions Dilecta, Paris, 2011
Bottom: Roy De Forest, A Journey To The Far Canine Range And the Unexplored Territory Beyond Terrier Pass, Bedford Arts, San Francisco, 1988



photo courtesy Watrous Gallery