Clifford Hunt, There W All, mixed media collage, 2019

I've featured a couple of other accordions by my mate Clifford on this blog and we've also collaborated on some together. But this one was waiting for me after I was away from home for a couple of days. Both Clifford and myself are interested in visual poetry and word play, and this accordion is a testament to Clifford's longtime explorations in this area.

6 pages, double-sided, single page 6.5" (h) x 3" (w), when opened 15". 

Alden Viguilla, Bestiary (nd), and It's Raining Cats and Dogs (nd)

Two quite different accordions by Viguilla that complement the 3 others that I have featured in this blog. The first one here, Bestiary, which Viguilla describes as "a collection of mythical beasts risographed in blue and gold," is a curious 2-sided accordion that displays the typical muted colors of the risograph process, coupled with Viguilla's simplified forms & features of the "beasts" showcased.

8 double-sided pages, individual 5" (h) x 4" (w), and when fully open 2' 6", edition of 100.

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Viguilla describes his little accordion book as a "4-color mini silkscreen accordion book handprinted on Canson Edition printmaking paper and a 2-color chipboard cover." This is a fun book with a light touch and all of it nicely enhanced by the rich colors of the screenprinting process.

6 pages, individual pages 3 3/4" (h) x 3 (w), when fully open 18", edition of 30.

6dreams, editor Roger Omar, Valencia, Spain

This is a really beautiful and well thought out accordion project initiated in 2002 by Roger Omar, which combines a really sharp conceptual framework, matched with a fresh formal design and presentation. See a previous posting of 5 other works from this wonderful series.

At the present time there are approximately 38 accordions in this "6dreams" series, and the underlying structure and theme of the individual accordions is so simple and beautifully complete. Individual accordions are designed by different illustrators, and they are based on 6 dreams as described by children between the ages of 8-10 years, most of them from Mexico and Spain, and presented in both Spanish and English.

The format and size is the same for all of these 5 page double-sided accordions: individual pages 8.25" (h) x 7.75" (w), and when fully open they are 38.75".

For further information about this innovative project go to: https://elmonstruodecoloresnotieneboca.wordpress.com/

#20
Title: Winter Handkerchief
Dreamers: Luli, Valencia, Spain
Illustrator: Mexer
Date: 2013

#27

Title: The Greatest Gangster in the Galaxy
Dreamers: Children in Oliva, Valencia, Spain
Illustrator: Benjamin Courtault
Date: 2014

#29
Title: Eternally
Dreamers: Dorett, Valencia, Spain
Illustrator: Lea Heinrich
Date: 2014

#30

Title: Hamsters
Dreamers: Children in Villava, Navarra, Spain
Illustrator: Karoline Achilles
Date: 2015

#31
Title: Childkiller Medicine
Dreamers: Ricardo Chavez, Tehuantepec, Oaxaca, Mexico
Illustrator: Marta Pina
Date: 2015

#32
Title: Boy, What Happened?
Dreamers: Children in Havana, Cuba
Illustrator: Tim Peacock
Date: 2015

#36
Title: Giant Chicken Wings
Dreamers: Children in Godella, Valencia, Spain
Illustrator: Carlos Ortin
Date: 2016

#37
Title: White, Blue, Beige and Brown
Dreamers: Children of A Coruna, Galicia, Spain
Illustrator: Jano
Date: 2019

#42
Title: Hongas Gigantes (Giant Fungus)
Dreamers:Navarra, Spain

Illustrator: Nicholas Stevenson
Date: 2019

Christoph Benjamin Schulz (editor), Die Geschichte(n) Gefalteter Bücher: Leporellos, Livres-Accordion und Folded Panoramas in Literature und Bildender Kunst. [The Histories of Folded Books: Leporellos, Accordion Books and Folded Panoramas in Literature and Fine Art], Georg Olms Verlag: Hildesheim, Zurich, New York, 2019

It was an exciting day when this wonderful book about artists' accordion books dropped into my mailbox. Coming in at just under 600 pages the book is comprised of 19 texts by eighteen authors, with thirteen chapters in German, four in English and two in French. This book is exactly what this neglected area of artists' book publishing has needed for many years, and it succeeds admirably in filling out a history of this book form ranging from the 14th century to the contemporary moment.

Here is the publisher's description of the book:

The contributions of this first international overview of the phenomenon of folded books cover 600 years of Occidental book history: It ranges from medieval books and harlequinades of the early modern period, through foldable pages in bound books, to Leporellos, Folded Panoramas and Livres Accordéon and experienced a veritable heyday in the 19th century. 

Folded formats were used for calendars and chronologies, for panoramas and overviews, as well as for parade and procession prints, as well as for typographical paper image galleries and illustrated children's books. In the 20th century, folded books experienced an international renaissance both in experimental literature and in the context of the artist's book.

The material expansion of the book body is far more than a surprising effect: it allows for other forms of staging content than are possible on the pages of bound books - and, accordingly, other reading experiences. Books that can be unfolded are transformed in the eyes of their beholders. When folded, a leporello can be leafed through and viewed sequentially, but it can also be unfolded selectively or unfolded in its entirety - and dissolve in that sense.

The haptic dimensions of appropriation and the semantic potentials of (de) folding processes play a central role in this process. As an aesthetic strategy, folding is multifaceted and complex, especially in the context of history of books. And so the richly illustrated stories of folded books collected here raise a hitherto undiscovered treasure of book history. 

[http://www.olms.de/search/Detail.aspx?pr=2009661]

Christopher Schulz, the editor, introduces the book with a fascinating chapter on the early history of the accordion fold through different time periods, and within diverse literary contexts. I only wish my German was up to the task of translating this very important historical text!  All the other texts explore accordions from both the world of visual arts as well as the literary arts, and there's a nice range and variety to the choices. I'm also happy to have a text by myself included in this selection. Schulz should be congratulated on bringing into the world a book that explores so thoroughly, this totally unique book form and medium.

I'm listing below the chapter titles and language of all nineteen sections of the book...and here's a link to PDFs of them all: The story (s) of folded books: Leporellos, Livres-Accordéon and Folded Panoramas in literature and visual arts | OMP Ruhr University Bochum

Chapter Headings and language

Christoph Benjamin Schulz (German)

The stories of folded books

Sebastian Schmideler (German)

Leporellos in the work of the Munich book artist Lothar Meggendorfer

Ulrich Ernst (German)

Dynamic typography - orphist painting - bruitist music. Blaise Cendrars' and Sonia Delauney's avant-garde simultaneous book La Prose du Transsibériean

Susanne Gramatzki  (German)

Poetry in dialogue: Paul Éluard's poem Liberté as a Leporello

Viola Hildebrand-Schat (German)

Conceptual and functional varieties of leporellos in the context of Russian bookart.

Anne Moeglin-Delcroix (French)

Three artists' points of view on the leporello: Peter Downsbrough, Bernard Villers, Hamish Fulton

Anne Thurmann-Jajes (German)

Between artistic documentation and conceptual penetration - leporellos by Isidoro Valcårcel Medina and Timm Ulrichs

Stephen Bann (English)

Ian Hamilton Finlay's folding poems and concertinas

Thomas Hvid Kromann (German)

Foldable flats with enigmatic signs: Danish avant-garde leporellos since the 1960s

Klaus Ottmann (English)

Objects of seduction: James Lee Byars's scrolls and accordion-folded performative paper sculptures

Carol Jana Ribi (German)

Warja Lavater's folded stories. Work genesis and aesthetic impact

Monika Schmitz-Emans (German)

Leporellos in the work of Horst Janssen

Klaus Meyer-Minnemann (German)

Octavio Paz: Blanco - an accordion poem

Christoph Benhjamin Schulz (German)

Folded texts and leporellos in avant-garde literature and experimental poetry

Katarzyna Bazarnik (English)

A stroll through Polish leporellos: some 'Liberatic' and other accordion-folded works

Christianne Dahms (German)

Leporellos as visual staging of literary texts: Baudelaire, Rilke, Stein, Hofmannsthal

Jean Fremon (French)

The accordion books of the artist/poet Etel Adnan

Stephen Perkins (English)

Accordions at the border: Codex Espangliensis (2014), Migrant (2014) and Detained (2011)

Melanie Unseld (German)

Conducting applause: or Laetitia Devernay's attempt at leporello as score