This plethora of images reminds me of a quote that I've used before in this blog and it's by Heda Kovaly from her obituary in the New York Times titled "Heda Kovaly Dies at 91: Wrote of Life Under Totalitarianism," Dec. 9, 2010, "I carry the past inside me like an accordion, like a book of picture postcards that people bring home as souvenirs from foreign cities, small and neat," she wrote in her memoir. "But all it takes is to lift one corner of the top card for an endless snake to escape, zigzag joined to zigzag, the sign of the viper, and instantly all the pictures line up before my eyes."
everything about accordion publications, with a special interest in artists' accordions. stephen perkins [perkins100@gmail.com]
Tuesday, July 2, 2013
Monday, July 1, 2013
Accordion address books (2), 1990s-2003
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I found these two tiny accordion address books amongst the personal effects of my recently deceased parents-in-law, Leon Ishkanian and Alice Tchakedjian in Heliopolis, Egypt earlier this year. They both appear to be address books for specific holiday destinations: Sydney, Australia and California, USA. Individual pages for each are 3.75" x 2.5" with an opened length of 21.5" & 23" respectively. The back and front panels of both books are magnetized in order to keep the publication firmly closed. Two very interesting booklets in terms of their function, economy of size and the ease with which the relevant information can be scanned and retrieved.
Here's a link to a blog about my trip to Cairo in January, as well as another trip that I had to take in February under very different, and tragic circumstances: Egyptian Dispatches
Saturday, June 29, 2013
Hartmut Andryczuk, Elektronikengel, 2003 & Bauplan Teilchenzoo, 2011, Redfox Press, Blue Fox Collection,' Achill Island, County Mayo, Ireland
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Electronikengel (front), 2003, edition of 50 |
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Electronikengel (back) |
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Bauplan Teilchenzoo (front), 2011, edition of 70. "Drawings and classification of elementary particles in physics." (publishers statement) |
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Bauplan Teilchenzoo (back) |
These are two really exquisite screenprinted accordions by the German artist and publisher Hartmut Andryczuk (b. 1957). I can't pretend to understand exactly what the narrative is about in both of these books but there's a wonderful use of the panoramic qualitiy of the accordion format, with an intriguing mixture of visual poetry, text/image and a strong dose of lettrist inspired imagery. The screenprinted wooden covers give both books a substantial objectness and contrast nicely with the delicacy and lightness of the imagery in both of these double-sided publications.
Both books are 3' 2" opened full length with 10 pages each whose dimensions are 6' 1/4" x 3' 3/4". These two books are a couple of the more compelling examples in Redfoxpress' 'Blue Fox Collection' of accordion publications. More info at: BLUE FOX COLLECTION
Wednesday, November 28, 2012
Richard Long, A Walk Past Standing Stones, Coracle Press for Anthony d'Offay, 1980
This is a really beautiful palm-sized accordion documenting a series of 9 standing stones that Long passed during one of his walk-as-art works in Cornwall, England. Either as documentation of an ephemeral activity, or simply as an artists' book, this small publication exudes a sense of intimacy through these mute signposts while a narrative of distance connects Long's walk and the origins of these stones.
For further information about Long's activities see his site at: richard long Individual page 3.5"(h) x 2 3/8"(w), extended 23.5".
Monday, November 5, 2012
Lewis Koch, Street vendor, Paris, France, 1991, from "Touchless Automatic Wonder." Madison: Borderland Books, 2009.
This street vendor is hawking an accordion postcard strip of scenic views of Paris, and this photograph can be found on Lewis Koch's website Touchless Automatic Wonder A recent post on this blog has featured Koch's "8 Wisconsin Images" (1977) another accordion postcard strip.
Sunday, November 4, 2012
Bea Nettles, Seasonal Turns: Four Accordion Books, 1998
An intriguing boxed set of 4 accordions that reference the seasons. Each double-sided accordion has one photograph per page in a loose sequencing that foregrounds both the image's singularity and simultaneously its place within a larger series of images. Single page: 3.5" x 3.5," fully extended 17.5"
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