Thursday, January 13, 2022

Marion Bataille, Vues/Lues [Seen/Read], Zeug, France, 2018, ed. 1000


When I first got this accordion and took a look at it, I thought "what the hell," thinking that it was just a bunch of tourist postcards in a faux album, and in a variety of confusing orientations — I couldn't make any sense of it at all! So I did a little research and discovered two really cool other books that Bataille had published (both below). The first one titled ABCD (2008) was a clever alphabet book that when the reader opened a page it activated a folded letter to pop-up fully formed between the pages. The second book 10 (2011), also required the action of the reader, but this time when the pages were opened the folds revealed not only a number on the front, but a descending number on the back from 10-1, very smart stuff!

So, it became clear to me that Bataille was playing with pages in a rather unique and technically sophisticated manner. And then somewhere I read that Vues/Lues was also an alphabet book. It was only then that I both saw and read what she was doing with this accordion. It's an accordion in which she has sequenced these touristy postcards using the predominant shapes in each card to create the letters of the alphabet! This book though, was much simpler technically than the others, and is really a conceptual book. However, it also fits neatly within the arc of Bataille's exploration of the nature and form of the book, and especially the page itself.

12 double-sided pages, each 6" x 4", and when fully opened 4' 4".


A, B

C, D

G, H, I

reverse side

M, N, O

Q, R

 X, Y, Z

back cover

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Marion Bataille, ABCD, Roaring Brook Press, New York, 2008




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Marion Bataille, 10, Roaring Brook Press, New York, 2011



Wednesday, January 12, 2022

Carles Garcia O'Dowd aka G.O'D., Closer to Heaven: A visual opera, Stranedizioni, Italy, 2018, ed. 350

front cover

This accordion is a really wild ride! Taking the popular Mallorcan resort town of Magaluf as his subject, O'Dowd, a native Mallorcan himself, packs it with real and imagined scenarios of people having a seriously good time. All sorts of activities are taking place simultaneously, which this accordion both celebrates, and critiques at the same time. O'Dowd in his artist's statement reflects on this state of affairs and the effects of the global tourist industry when he writes, "In the long run, it's establishing itself as a contemporary form of colonialism; and places like Magaluf can be found everywhere around the globe. This drawing reflects on the reality that such economical models shape, using cartoon imagery from Carles G.O.D.'s fictional cosmogony: The Rise and Fall of Eden." But, in the meantime, everyone parties on!

7 double-sided pages, each 6.5" x 11.25", and when fully open 3' 9.5".


front and back covers

inside the cover with the artist's statement in four different languages

the artist's statement

front




back




back cover