Rodger Binyone, Syzygy Manoeuvres, NO-Man Press No 22, Philadelphia, 2025, ed. 300

front cover

This is a beautifully designed and printed risograph accordion that depicts a fantastical & dystopian world that seems to be in the process of being taken over by malign entities. This publication is just one issue in Binyone's NO-Man Press continuing series which features his work as he explores a wide variety of visual and thematic concerns. 

Based in Philadelphia Rodger Binyone is an artist and illustrator who has exhibited throughout the Philadelphia area and also has work included in the Museum of Modern Art, Library Collection, New York.

7 double-sided pages, individually 8" x 5.5", and when fully opened 3ft 3.5".

reverse side

back cover

Sibyl Selldorff Rubottom, ABC of Covid, Sibyl Line Press, 2021

front cover

I'm sharing Rubottom's artists' statement that came with the purchase of this Abecadarium book as it eloquently sums up how this accordion arose as a response to the extraordinary world we were all living in after the Covid epidemic got underway. It's interesting that she adopted the format of the childhood Abecadarium to explore the new language(s) that were developing during this unprecedented time in world history.

"We share our experience in many ways, but perhaps language is the most universal. And our language starts with the alphabet.

This Abecdarium (alphabet book) is my interpretation of the vocabulary that emerged as the pandemic overtook us in 2020 and 2021, exploring the unexpected words that became common connections for us all. Here I offer an archive of the cultural lexicon to reflect the worldwide experience that has altered our lives so dramatically.

Originally a single edition artist book, letterpress printed using Dunn-Edwards color sample sheets, and hand bound, this facsimile edition makes the work more available, without compromising quality. This hand-bound, accordion-fold artist book, when fully opened extends to a length of 18feet (by 8 inches hight)."

54 double-sided pages, individually 8" x 4.25", and when unfolded 18ft 5"

reverse side

back cover

Stephen Levine and Felipe Ehrenberg, Lovebeast and other Incarnations, Unity Press, Sausalito, 1968, ed. 2000

front cover

This is a really fascinating collaboration between the writer Stephen Levine (1937-2016) and the Mexican artist Felipe Ehrenberg (1943-2017) in which they've woven Levine's literary works with Ehrenberg's drawings and prints into a seamless whole.

One key part of this collaboration is the 4 page double-sided accordion fold-out featuring one long visual work by Ehrenberg on one side and assorted poems by Levine on the back. Ehrenberg's work depicts a male figure in some kind of liberatory dance, while his visual works throughout the book depict a variety of different subject matter.

For another accordion work by Ehrenberg see link to one on this blog: accordion publications: Felipe Ehrenberg, Codex Aeroscriptus Ehrenbergensis, [2 versions] Nexus Press, Atlanta, 1990, ed. 40 & 500

4 double-sided pages, individually 7.75" x 5" (variable), and when unfolded 1ft 2.5"

reverse side

Jürgen Olbrich, Untitled, Kassel, Germany, 2026

Another one of Olbrich's unique accordions consisting of found works transformed into an accordion. This one consists of recycled artists' postcards that have been sent to Olbrich. Jürgen is an artist and networker based in Kassel and the individual postcards in this accordion reflect his international network of collaborators. Search this blog and you'll find a number of other works by this busy artist.

7 double-sided pages, individual pages 3.5" x 6" and unfolded 3ft 6".

front side

reverse side

back cover

Longest Night, Anna Ehrlemark and Mileta Mijatović, Le Dernier Cri, Marseille, 2025, ed. 180

Another rambunctious screenprinted publication from Le Dernier Cri. While not an accordion, I enjoy the play of the pages contained within these two gatefold books. The two artists' works, although quite distinct stylistically, have been woven together in smart and eye-catching combinations alternating across the pages. 

2 booklets, each with 16 double-sided pages, individual pages 8.75" x 6.25", and when the publications' both books are opened up you have a 4 pages spread of 2ft 2".

the two books on the left and right

back cover

Attila Stark, Kulo in Marseille, Le Dernier Cri, Marseille, 2024, ed. 150

front cover

front and back covers

While this publication is not technically an accordion, I just like the play with the folds of the pages and the different combinations possible with multiple folded pages. The tour de force is the 33" spread created from the two gatefolds at the heart of the book. The text below represents a succinct summary of the activities of this prolific Hungarian artist.

"Attila Stark is a Budapest-based street artist whose multidisciplinary practice includes graffiti, illustration, stickers, wall paintings, screenprints, and self-published zines. A prominent figure in Hungary’s independent comic and urban art scenes, he has been publishing his ongoing series Kulo City with Roham publishers since 2007, presenting a personal and evolving visual narrative that blends comics, and subculture.

Initially rooted in the metropolitan environment, Stark’s work has gradually expanded into a surreal, unfiltered universe where recurring characters and eccentric creatures move through absurd and often darkly humorous situations. His imagery embraces raw expression and resists aesthetic boundaries or censorship, allowing existential tension to be overtaken by wit and grotesque exaggeration. Influenced by writers such as Alfred Jarry, Raymond Roussel, and William S. Burroughs, Stark creates intelligent yet brutally direct artworks that merge underground energy with literary depth, positioning him as a distinctive voice within contemporary Hungarian street art.”  [source: artsy.net]

15 double-sided pages, individually 11.75" x 8.25", and center 4 pages present a 2ft 11" panorama.

center pages

back cover