Wednesday, January 1, 2025

Erik Ruin, Hard Rain: A Letter From Cassiodorous, silkscreen, 2024, ed. 25

front and back of the work's envelope
                                            

This is a powerful work in which one side illustrates the text of a letter sent in 538 AD by the Roman statesman Cassiodourous. In the letter he vividly describes his experience of an eclipse and then comments upon the changing climate of the period, "The seasons seem to be all jumbled together....we have had a winter without storms, a spring without mildness and a summer without heat." All of this seems very familiar to us in the present moment, and coupled with the reference to Bob Dylan's "A Hard Rain's a-Gonna Fall" (1963), both serve to reinforce our own concerns and alarm at our rapidly changing environment, and the urgency to do something about it. This work eloquently translates into visual form these existential threats that the global community currently faces.


Erik Ruin describes himself on his website as "...a Michigan-raised, Philadelphia-based printmaker, shadow puppeteer, paper-cut artist, etc., who has been lauded by the New York Times for his "spell-binding cut-paper animations." His work oscillates between the poles of apocalyptic anxieties and utopian yearnings, with an emphasis on empathy, transcendence and obsessive detail. He frequently works collaboratively with musicians, theater performers, other artists and activist campaigns. He is a founding member of the international Justseeds Artists' Cooperative".

8 double-sided pages, individually 8.5" x 5", unfolded 3ft 4".





on the reverse side is the text of the letter which is written back to front but can be read through the paper from the front side of the accordion

R. Clarke-Davis, untitled (2024), street haunting...(2024), cadence (2024), Kiddie Viddie Press, Baltimore

Three new works by R. Clarke-Davis that continue his examination of everyday life and its particulars. Untitled makes reference to Clarke-Davis' approach to image-making with his inclusion of the following text, "a book of wander: trying to remember what i saw before i saw was put away," all of this set amongst photographs taken mostly from the streets, with the added play on the words 'wander' and 'wonder.'

street haunting a book of wander: virginia woolfing along the N line, the photographs in this snake book were all taken at night so there are no people around which imbues them with a sense of quietness and mystery. I must admit I'm totally missing the Virginia Woolf reference, and I'm assuming the 'haunting' in the title also represents the potentially disquieting activity of taking photographs under the disguise of darkness.

a commonplace book: cadence, according to the Mirriam Webster's online dictionary a cadence is "a rhythm, or a flow of words or music, in a sequence that is regular (or steady as it were)." This definition would seem very apt for this long panoramic color photograph of different colored stones on a darkened brown sand. There's a real beauty to this image and the rhythm of the stones on the sand works really well as they play out across the length of the accordion format. 

untitled, 2024
16 pages, individually 4" x 3.5", when unfolded 4ft 8"


                                         



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street haunting: a book of wander: 
virginia woolfing along the N line, 2024
16 pages, individually 5" x 4" and unfolded 5ft 4"


reverse side

back cover

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cadence, 2024
18 single-sided pages, individually 4" x 4", and unfolded 6ft
                                          




title and Kiddie Viddy Press publishing information