Rémy Zaugg, About Death II, 16 Paintings, Mai 36 Galerie & Galerie Nordenhake GmbH, Art 33 Basel, 2002

A cool exhibition catalogue that recreates in miniature Zaugg's installation of 16 text-based paintings with their sizes & sequencing as installed at Art 33 Basel. On the back cover Zaugg explains the rationale for the work writing: "This frieze, consisting of 16 paintings, continues the tradition of the medieval dance of the Death and especially recalls the fresco painted around 1440 in Basle as well as the woodcuts by Hans Holbein the Younger on the same subject."

9 single-sided pages, individual pages 3" x 4.25", and when unfolded 3ft 2.25".

illustrating the sequencing of the works

 

Jonathan Monk, Sailing into San Francisco three sailors & one tattoo, Jack Hanley Gallery, San Francisco, 2000, ed. 1000

A curious accordion by this Brit artist now based in Berlin. I'm assuming that this publication was connected to an exhibition at the then San Francisco-based Jack Hanley gallery, although the publication does not indicate this. Either way the images all seem to be the typical touristic images of San Francisco and i'm sort of assuming that they are found photos, and that the reference to "one tattoo" is related to the last photo in the accordion of 3 sailors with sticks between their legs as if they are riding horses, and one of the sailors has a tattoo on his forearm (also featured on the cover of this accordion). The work seems like a typical work of this conceptual artist, but without the sly wit and humor of others I have seen. Check out the other three of Monk's accordions posted on this blog and make up your own mind!

16 single-sided pages, individual 3.75" x 5.5", and unfolded 7ft 4inches.

the three sailors & one tattoo

back cover

Cecilia Mandrile and Lina Meruane, Latitude, Bristol, UK, 2017

"Latitude is a collaborative artist book by artist Cecilia Mandrile and writer Lina Meruane published by Impact Press. This unique artist book is an accordian style folded object, with intimate, poetic text on one side and a series of photographic images on the other side. The book can be read like a traditional book or unfolded to stand as a printed art object. Latitude is a meditation on the parallel nature of two lives existing on the same plane as one another for a fleeting moment in time.

Cecilia Mandrile is an Argentinian artist focused on the rehearsal of aesthetics of displacement through print objects and installations. Her work has been exhibited internationally, including at El Museo del Barrio in New York and the Victoria & ALbert Museum in London.

Lina Meruane is a Chilean writer, whose fiction work includes the short story collection Las Infantas and the novel Cercada. She has received writing grants from the Guggenheim Foundation and awards from Anna Seghers (Berlin)." [text from Printed Matter listing]

Regarding the 'latitude' of the title, Meruane's text speaks of a meeting of the artist and the writer with her noting: "We were born around the same year (you one earlier than me), around the same parallel of latitude, the Andes slicing through it. We've ended up living on the same street, almost on the same floor (me one higher than you). Mountains of brick between us under the same clouds as they waft from my latitude [40.855368] to yours [40.854869]."

8 double-sided pages, single page 5.75" (variable) x 4", when unfolded 2ft 8inches.

reverse side

back cover

 

Maud Cotter, a solution is in the room, Coracle Press, Ireland, 2017, ed. 100

Cotter is an Irish artist based in Cork and she works across media including installation art, drawing, sculpture and landscape art. During the same year that this work was published Cotter also had an exhibition of 3 of her sculptural pieces with the same title at the Wandesford Quay Gallery in Cork. Coracle press' description of this work reads as follows: "...a sculpture splayed out to a length of two metres on the floor when activated, using one letter of its title per panel 9 x 9 x 4 cm. A veritable jack-in-box." From this quote and Cotter's larger practice this work has to be seen within her broader sculptural practice and as such, a printed matter sculpture in its own right.

26 single-sided pages, individually 3" x 3", and when unfolded 6ft 6inches.