Ruby Sky Stiler, Sun Breaker, Exile Books: Miami, Florida, 2015, ed. 250

A very cool architecturally inspired accordion that includes cuts & openings within it's pages, and was published in conjunction with Stiler's exhibition "Sun Breaker," (2015) at Locust Projects in Miami. I'll let the publisher's text about the publication explain what's happening with her exploration of the architectural feature known as brise soleil: 

Sun Breaker explores the tropical, modernist architecture native to Miami. Sun Breaker refers to brise soleil, a common architectural element in the tropics that reduces heat gain in buildings by deflecting sunlight. These sun-shading structures take the form of perforated surfaces that are both decorative and utilitarian, allowing for the free flow of light and air through a building’s façade. In Sun Breaker, Stiler also creates a permeable structure for the viewer to look both at and through. This 13-sided, free-form, accordion artist’s book pairs imagery of Miami’s iconic brise soleil architecture alongside perforated arrangements of cut paper shapes on a flat scanner bed. Stiler connects the light of the scanner and the punctuated sunlight streaming through patterned walls to illuminate a loose narrative that incorporates the female figure, an ongoing theme in the artist’s practice. 

For a link to installation photographs of the exhibition go to:
http://www.rubyskystiler.com/projects/sun-breaker-locust-projects-miami-2015#157

13 pages double-sided, 8.75"(h) and 6"(w), when opened 6ft 6".

Reverse side of the accordion

Back cover page

Andy Bolus, Zven Balslev and Pakito Bolino, Crypt of Sados, 6 accordions, screenprint, Le Dernier Cri: Marseilles, 2018, ed. 150

This incredible book arrived with Tetsunori Tawaray's book (see below on this blog) and it just took my breath away. The book is comprised of silkscreened covers and flaps, and then spilling out of the book are 6 incredible accordions. I'm still absorbing all this wonderfully crazy, weird and out of this world stuff! I haven't been able to find a definition of 'sados' but assume it has something to do with sadomaochism, or some variant thereof. But either way, it's a wonderful mash-up between these 3 accomplished artists, and congratulations to the Le Dernier Cri crew for bringing two such wonderful artists' accordion publications into the world, bravo! 

Individual accordions, 12 pages each, 8"(h) by 5.5"(w) and opened up 2ft 9.5".

#1 front

#1 back

#2 front

#2 back

#3 front

#3 back

#4 front

#4 back

#5 front 

#5 back

#6 front

#6 back

covers and inside flaps opened up

Heather Benjamin, The Collapsing Woman, self-published, 2017, ed. 1000

I only recently discovered the powerful work of Heather Benjamin. This 20 page booklet is no exception with a wonderful series of her outré drawings that are both sexy, disturbing and totally unique. This publication also includes a cool accordion fold-out and as such it deserves a place in this blog! For more info about Heather and her work: https://heatherbenjamin.bigcartel.com/

20 pages, 7.5"(h) and various widths but approx 4.5", when folded out 16".

Tetsunori Tawaraya, Too nice junk, 3 accordions, 13 color screenprint, Le Dernier Cri: Marseilles, 2019, ed. 200

When this book arrived in the mail and I opened it up, it was like something exploded in my hands, and I'm still feeling the after effects today — it's just so wild, weird, crazy, pyschedelic and wonderful! The book consists of the covers with flaps and nestled inside are 3 separate accordions. 

Tetsunori lives in Japan and in the late 90s he started drawing portraits of people and musicians in San Diego, CA. In 2002 he formed the Tokyo-based noise rock duo 2up. Apparently he's been on a roll ever since then. For more information about Tetsunori go to: https://tetsunoritawaraya.com/

Individual accordions: 12 pages, 8.5"(h) and 6"(w), when opened 2ft 11inches. 

#1 Front

#1 Back

#2 Front

#2 Back

#3 Front

#3 Back

Cover opened up with inside flaps

Peagreen, Ice Crystals, Museum of Modern Art, New York, 2015

A very smart Christmas card from the Museum of Modern Art in New York, designed by this design studio based in Winchester, England. Many thanks Davy and Toni Damkoehler for sending this cool card to me!

5 pages, variable sizes, 7"(h), when opened 16.5". 

The Mystery Calculator, China, nd

The instructions that accompany this 'mystery calculator' are:

The complete set consists of 6 cards, printed with a series of numbers. Show all the cards to a friend and ask him or her to select one number from any one card. Show the other five cards to your friend asking him or her to say whether the number appears on these cards. Take all the cards on which your friend says the number appears, add together the top left hand corner number of, each card and the total is the number your friend selected.

6 pages, 1.25"(h) by 2"(w) when opened height is 9.75".

Matthew Monahan, Five Years Ten Years Maybe Never, Museum of Contemporary Art Los Angeles, Los Angeles, 2007

A rather curious exhibition catalogue which consists of 3 booklets joined together in an accordion format. Since I've never seen anything like this before I thought it was worthy of inclusion here. In the last section are 3 accordion fold-outs of the artists' works. I had never heard of this LA-based artist, but this was a substantial one-person exhibition. Following is a text describing the publication from the Moca website: 

"Matthew Monahan (b. 1972, Eureka, CA) creates striking sculptures that are built from drawings, as well as fragments of smaller artworks made with disparate materials, including floral foam, beeswax, glitter, pins, Styrofoam, glass, and drywall. From these unlikely media, he builds freestanding, assemblaged sculptures within which hand-crafted characters—warriors, saints, slain heroes, and demons—seem to express heroic emotions ranging from jubilation to anguish. These figures serve as both icons and iconoclasts in a purposefully allusive narrative from a mysterious unidentified past epoch. Working simultaneously as both chronicle and summation of the artist’s creative processes, Monahan’s sculptures confront the formal issues inherent in figurative drawing and sculpture while addressing his artistic, personal, and political concerns. This MOCA Focus exhibition—Monahan’s debut solo museum presentation—brings together a decade of work never before exhibited in Los Angeles."

Booklet sizes 9"(h) and 6.25"(w), when opened 3ft 2".

back of the catalogue

Valerie Linder, Abecedaire de voyage (an alphabet book of a journey), Esperluete editions: Belgium, 2011

A fascinating 'alphabet' book that is made up of images of 27 different objects from which Linder has made graphite rubbings, and on the opposite side of the page is a small list of words that have been crossed, arriving at the bottom to one printed in red. These words have tentative, yet teasing connections to the objects depicted. The larger 'text' of the book is about journeys. The publishers in their description of this book include a quote by Linder about the book stating:

 "Selected words in the dictionary, objects selected: Propose only words related to the journey, to different degrees. Shift the relationship between the chosen word and the object - to weave links, to be amazed, to be a little disturbed, disappointed, astonished ... that's the purpose of the trip."

Alphabet books have a long history as children's books that featured letters of the alphabet alongside words or images that corresponded to each letter, and thus served an educational function. However, Linder's book does not reveal such neat correspondences and she sets up a field of much more discursive interpretations for the reader to meander through. Truly a book that entails a journey through letter, word and image!

One-sided, 53 pages, individual page 6.5"(h) by 4.5"(w), and when open 19ft 7.5".

On the back of the book is the following quote from the artist:
 "Gleaned objects rubbed and words chosen from the dictionary."