Wednesday, September 23, 2020

Masato Nakamura, QSC+mV, Imschoot, Ghent, Belgium, 2001, ed. 1000

›
This is the first accordion that i've come across that has been printed on clear plastic! This book accompanied Nakamura's installat...

Sol LeWitt, Lignes en Quatre Directions et Toutes Leurs Combinaisons (Lines in Four Directions and All Their Combinations), Museé D'Art Contemporain CAPC Entrepôt Laine Bordeaux, France, 1983

›
A cool catalogue for this installation/exhibition of a work by LeWitt (1928-2007). An early conceptual and minimalist artist who reduced his...
Tuesday, September 22, 2020

Karl Holmqvist, Syline is the By-Linezz, Motto Books, Berlin, 2014, ed. 800

›
A mass of texts, letters, words, sense-nonsense sentences, repetitions, patterns, empty spaces, symbols and numbers all coalesce in this wor...
Friday, September 18, 2020

Billy Ocallaghan, Lucky, improper printing, 2017, ed. open

›
A fascinating accordion by this Irish writer that traces how far back you have to go in your family history to be connected to 1 million peo...

Simon Cutts with watercolors by Kate Van Houten, In Nannycatch Beck, Coracle Press, Ireland, 2017

›
Another beauty from Coracle Press with sparse, but pregnant words by Cutts, and watercolor pebbles by Van Houten in all their watery glory a...
Thursday, September 17, 2020

Natalya Balnova, Principles of Jelly Making, 2013, ed. 30 and Beasty Heads, 2018, ed. 3

›
Principles of Jelly Making, 2013, ed. 30: 12 pages, double-sided, single page 5.5"(h) x 5"(w), and when fully open 2ft 6". Tw...