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An interesting accordion that serves as a printed matter gallery for a mini-retrospective of Hinkley's works that he made between 2008-09, all of which feature his interventions into a variety of images taken from different sources. What I particularly like about this accordion is that Hinkley really uses the space of the accordion, and one consequence is that the 'empty' spaces become active elements in the piece, and in the viewer's 'reading' experience.